Tag Archives: france

By Helen Lee

There is no fresher horror to the modern-day luddite than the social media Live Video function. In the Live Video, the subject is tripled: there is the subject filming, the subject being viewed, and the subject auto-saved for posterity by the filming interface. Live Video has a forebearer in performance art, such as Joan Jonas’ incorporation of live video into her “actions” during the 1970’s. In describing Jonas’ performance Vertical Role (1972), curator Barbara London writes that by using live video, Jonas invokes the “unedited present” as a means of dislocating space and elongating time. (1) In contrast, the practice of “going live” on social media renders the unedited present as digital content to be viewed and shared on a for-profit platform. The medium of video art in the contemporary context is uniquely positioned to ask: Where is a better vantage point from which to view the present than Live?