Tag: franzkaka

A Correspondence on ‘Memory Palace’ at Franz Kaka

Response March 23, 2021

By Parker Kay and Madeleine Taurins

Thursday, September 10, 2020:

Robin Cameron’s solo exhibition titled Memory Palace opens at Franz Kaka’s new location at 1485 Dupont Street.

Sunday, September 13, 2020:

Parker,

We were both headed to see Robin Cameron’s exhibit Memory Palace. I was walking, you were riding your bike. We had apparently chosen the same route, only different methods of transportation. I had turned around halfway because a few seconds earlier I realized that it was Sunday, not Saturday, and the gallery would be closed. As I turned, we crossed paths–you headed where I was just a few seconds ago. Now that I was turned in the direction of my house, changing directions again seemed like too much change for one day. You continued on, risking the possibility that you would show up and there would be no one to let you in, but there was. You saw the exhibition that day, a Sunday. I did not. You sent me a picture of the show and I regretted not turning a second time, back in the direction of the destination I never made it to.

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Towards a Contemporary Caprice: Every empire has an end at Franz Kaka

Review July 23, 2019

By Lucas Regazzi

 

Capriccio, or Caprice—as it’s been anglicized—refers to a historical genre of painting developed over the 16th to 18th century. Artists of the genre proposed, for the first time in Western history, that ruination architecture be ushered from background to subject. Immediately preceding this, architectural depiction in the Roman tradition of painting was relegated to ceiling frescoes, illusioning space to elicit divine wonder in God’s house. With this understanding of symbolic potential, artists began fantasizing architecture—assembling disparate buildings and monuments in pictorial space, or imagining new buildings and circumstances altogether—as a sort of visual poetry. At the genre’s height, the most notable caprices depicted dilapidation. Read More