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Lawrence Abu Hamdan’s Many Silences: “Rubber Coated Steel” (2016)

14 August 2017

By John Nyman

In Beirut—or, perhaps equally probable, in Toronto—a woman or a man shakes their head at me. Not the slow back-and-forth of a stubborn “No,” but a rapid jostle, with something like the velocity of a spring recoiling. It means “I don’t understand,” “I didn’t hear you.”

Growing up in settler Canadian culture, I learned to communicate the same message with a blank stare, maybe a head cocked sideways. But I find something different in the Arabic gesture, which isn’t so passive or absorptive. It is, in part, supplicant, since it admits there is something crucial the gesturer hasn’t grasped. But it is also assertive, even commanding: it says, “You meant to say something, so say it!” Rarely do I feel so called to account for being misheard. Continue Reading

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