Tag: jeninemarsh

Towards a Contemporary Caprice: Every empire has an end at Franz Kaka

Review July 23, 2019

By Lucas Regazzi

 

Capriccio, or Caprice—as it’s been anglicized—refers to a historical genre of painting developed over the 16th to 18th century. Artists of the genre proposed, for the first time in Western history, that ruination architecture be ushered from background to subject. Immediately preceding this, architectural depiction in the Roman tradition of painting was relegated to ceiling frescoes, illusioning space to elicit divine wonder in God’s house. With this understanding of symbolic potential, artists began fantasizing architecture—assembling disparate buildings and monuments in pictorial space, or imagining new buildings and circumstances altogether—as a sort of visual poetry. At the genre’s height, the most notable caprices depicted dilapidation. Read More

A Body Knots: Laurie Kang at Gallery TPW

Review November 28, 2018

By Jenine Marsh

 

I view Laurie Kang’s A Body Knots on my phone, as images. I’m on another continent, missing the show. But feeling that I know her and her practice pretty intimately makes up for some, though not all, of the texture and spacing that the real thing provides. At Gallery TPW in Toronto, a steel skeleton wall of studs and flexible tracking marks a new—albeit permeable—barrier through the two adjacent gallery spaces. In the second and larger gallery, four analog photograms of un-fixed, thickly applied darkroom chemicals on overlarge paper hang loose and heavy from the studs. Although forever halted in the jpgs, these photograms’ chemicals will continue to develop and change, reacting slowly, subtly, to the light in whichever space they occupy. Tiny silver spherical magnets hold the prints in place. Read More