Let’s pretend that we’re at a show. It’s sometime before last March, any night of the week. Early evening, but this is winter, and the sun has been set for hours already. We shrug our coats off into the all-black pile. I’ll retrieve mine later to wear it loose over my shoulders, following the smokers outside to revel in the cold between sweaty sets, after which I’ll fix my wandering eyeliner in my front-facing camera, since the available bathroom is the one with no mirror. You grab a water, maybe a beer, from the bar or your bag, depending on where we are. The night is full and warm and easy, and we maneuver through friends and strangers, angling for the right spot from which to watch other friends on stage. Then it’s your turn to go up, and the roles reverse.
Adam Basanta’s compositions (whether material or sonic) possess a resonance that deconstructs the foundational principles of acoustics: his work sees sound, composes silence, and locates melody in the din of a hum. Through the creation of sculptures that oscillate between the absence and presence of sound, Basanta reflects on a contemporary climate saturated by noise, proposing strategies of feedback and silence as methods to counteract a deafening modern landscape. Through this technical finesse his creation of sound-based systems intervenes in the social, material, and spatial processes inherent in auditory experience. (1)
For just over a year Vancouver based interdisciplinary artist, filmmaker and musician Casey Wei has produced a series of shows under the banner of art rock? Wei’s practice is primarily in film and video but she has also curated several site-specific projects that transform the character and use of communal space. For Toronto’s 2015 Images Festival, Wei was the first ever artist-in-residence at the Chinatown Centre Mall on Spadina Avenue. She activated the mall’s lower mezzanine with ballroom dancing, mahjong tables, karaoke and live music, the kind of activities reflective of the demographics of mall’s primary users, who are for the most part Chinese and elderly. For the course of that week Wei virtually never left the confines of the mall, during the day she hosted and documented the lower mezzanine and at night she had in a room in the Super 8 hotel attached to the mall. Read More
The Music Gallery (MG), located within St. George the Martyr Anglican Church at the southern end of Toronto’s Grange Park is, according to its website, “a centre for promoting and presenting innovation and experimentation in all forms of music, and for encouraging cross-pollination between genres, disciplines and audience.” I would say that it unequivocally delivered on its mandate and did so in a highly entertaining fashion on a recent visit payed by myself and my consort. The impetus for the visit was a performance by Violinist Sarah Neufeld, as well as some not as well known, but equally impressive opening performers.Read More