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Response October 18, 2019

By Graham Wiebe

 

I’m sitting outside what used to be my studio drinking a terribly sweet, one dollar iced coffee. I’m trying to comprehend that all the artwork I’ve ever made is gone; burnt and lost in the fire. As the ice cubes disappear into the milky, shit water, I imagine myself standing inside my third story studio as the fire is happening. I watch as a decade’s worth of work and the objects I cherished most become a collaborative pile of ash with the twenty-five other artists who also had studios within the space. Read More

History is a Passive Translator

Review August 2, 2018

By Lauren Lavery

 

The history of a space is burdened. When looking at a space, these histories become apparent, but they also go into hiding. When I consider of the history of a building, I first think of the material it is made of: clay bricks, concrete, wood, plaster. But what about the non-visible elements, such as the individuals come and gone, the events hosted and the objects held within? The history of such abstract, in-between space is then what cannot be documented by the past alone, it must be translated into another form altogether, be it the written word, a photograph or a story. But these methods are often biased, and when it comes to art, not always as clear as they could be. Read More