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zinnia_2020edition

October 15, 2020

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“As part of her installation, Salomé invited visitors to loan objects that were imbued with memories of migration…. These eclectic items were hung on a wall, placed on the floor, and propped on boxes and a wooden table, loosely recalling a domestic space of sorts. The owners of these objects and stories are uncredited in Salomé’s installation, a decision that intimates a communal history of movement shared between strangers across imagined neighbourhoods, cities, countries, and continents. The translocation of these objects from their original homes alludes to the emotional and physical toll of moving.”
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